Tag: Activation
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Welcome to Sara Duborg Døssing
This fall, our Activating Fluxus team is pleased to welcome Sara Duborg Døssing as a guest researcher. Sara joins us from Aarhus University in Denmark and works professionally as a curator at the HEART — Herning Museum of Contemporary Art. Below you can find her short biography and the topics she will be exploring with
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Episode 10: ‘When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti’ (2016-2017) by Ben Patterson
The sound installation When Elephants Fight, It Is The Frogs That Suffer – A Sonic Graffiti was conceived by Ben Patterson specifically for documenta 14, which took place in 2017 in Athens and Kassel. Patterson started developing the work immediately after receiving the invitation to contribute and traveled to Athens to visit the site that
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Episode 9: ‘Piano Activities’ (~1962) by Philip Corner
This episode explores Philip Corner’s iconic work ‘Piano Activities’, starting with its controversial 1962 premiere at the Wiesbaden festival. Our guest, artist Sean Miller, narrates his experience interpreting Corner’s latest version of the score, titled ‘Piano Aktivitys as a Disciplind Destruktshun’ (2022), which he orchestrated and performed in 2024 in Gainesville, Florida. Miller reflects on…
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Book Publication Fund for our anthology!
Activating Fluxus, Expanding Conservation is going Open Access thanks to the generous support of the Swiss National Science Foundation via the Book Publication Grant. Emerging from the four-year research project Activating Fluxus, the book will be freely available to all readers both in hardcover and electronically.
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Episode 8: ‘Very Fast Clock’ / ‘Very Slow Fan’ (~1975) by Larry Miller and George Maciunas
The concept of switching motors between a fan and a clock was conceived by Larry Miller around 1973-74. According to Miller, “the work addresses the concept of a pairing of time and motion as two opposing ideas—sometimes referred to as a complementary ‘art conundrum’ or an ‘aporia’ [in rhetoric, a state of puzzlement or doubt]—wherein
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Fluxus konservieren und aktivieren: Ein Interview mit Lisa Schiller und Josephine Ellis von Nicole Grothe
Last April I spoke with Lisa Schiller and Nicole Grothe, conservator and head of collections respectively at the Museum Ostwall in Dortmund, about some of the challenges Fluxus (and related) artworks pose to conservation practices and the museum more broadly. The interview was published in an edition of the MO_Magazin accompanying the Museum’s opening of…
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Infrastructures of Display: A Model of Schaumagazin for Museum Abteiberg’s Fluxus Collection—A Conversation with Felicia Rappe and Melanie Seidler
This conversation, which took place in person and over email between June 2023 and January 2024, unfolds between representatives of Museum Abteiberg and members of the Activating Fluxus project. By presenting divergent perspectives on the concept of “activation” in the context of museum practices, the dialogue offers an opportunity to deepen the discourse around activation…
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New Publication! Instilling Liveliness: Archives of Neo-Avant-Garde Art as Sites of Activation, by Aga Wielocha
Congratulations to Aga Wielocha, our postdoctoral fellow, on her new article “Instilling Liveliness: Archives of Neo-Avant-Garde Art as Sites of Activation”, recently published by the Journal Institute of Conservation. In this article, she explores the concept of activation in relation to the archive, with a specific focus on Ecart, an artistic collective active in the
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Hannah B Higgins: “Now That You’re Ready for the Real Thing”- Research Wednesday, May 22, 5pm CEST- join us!
We are thrilled to announce Hannah B Higgins, Professor of Intermedia and Avant-Garde Art and Culture and Founding Director of IDEAS at the University of Illinois Chicago as our speaker at the Research Wednesday seminar series, on May 22, 2024, 5 pm – 6:30 pm CEST (online).
