Tag: Nam June Paik
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Artivation #1: Zen for Internet, 2014
Com&Com’s Zen for Internet (2014) references Nam June Paik’s canonical Zen for Film (1962-64). Using the iconography of the internet and computer, the work features an endlessly rotating “loading wheel” on a white background. Typically, the “loading wheel” would be a temporary, in-between state before seeing the fully loaded image. Zen for Internet, however, indefinitely freezes…
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Can We Talk Post-Preservation? A Letter to Nam June Paik
This is an excerpt from an invited lecture delivered on November 15 at the National Museum of Modern and Contemporary Art in Seoul, South Korea, which addresses the positive value of obsolescence and posits post-preservation as an alternative to traditional conservation not only in Nam June Paik’s work but in artworks in general.
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About Fish, or Toward Radical Affinity in Paik’s Scores
In this essay, I discuss the material intricacies of Liberation Sonata for Fish cretaed by Nam June Paik in 1969 and distributed free of charge to the attendees at Charlotte Moorman’s 7th Annual New York Festival of Avant-Garde, Ward Island, New York. How to understand the work and appreciate decay as a positive value?
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Unpacking the Score: Notes on the Material Legacy of Intermediality
What does it mean that a work of art is score or notation-based? How does a score-based work challenge the established categories of a self-contained artwork, existent in one defined materiality? And how does it fit within the category of collectable artifacts conceived to last in their intended, authentic and completed states? This is an…
Activating Fluxus 