Tag: Nam June Paik
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2024 with Fluxus: exhibitions and events
In this post, you will discover a comprehensive compilation of present, and upcoming exhibitions highlighting Fluxus and Fluxus artists held in 2024. We will diligently update this list throughout the year to ensure its accuracy. Should you happen to come across an exhibition that we have omitted, kindly reach out to us via email at
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Processing Fluxus and Media Art Histories: A Case Study of the John G. Hanhardt Archives, by Hannah Mandel
Authored by the Archivist at the Center for Curatorial Studies at Bard College, in Annandale-on-Hudson, NY, Hannah Mandel the paper “Processing Fluxus and Media Art Histories: A Case Study of the John G. Hanhardt Archives at the Center for Curatorial Studies at Bard College” was presented at the 112th College Art Conference in Chicago within
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“… treating with a flux”: Case Studies from The Silverman Fluxus Collection at MoMA, by P. Oleksik, K. Lewis, and D. Johnson
“…Treating with a Flux”: Case Studies from The Silverman Fluxus Collection, at The Museum of Modern Art, was authored by Peter Oleksik, Kate Lewis, and Danielle Johnson. It was presented at the 112th College Art Conference in Chicago. Below, you may find a recording of their presentation, which has been amended for our website.
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2023 with Fluxus: Must-see exhibitions
In this post, you will discover a comprehensive compilation of present, upcoming, and past exhibitions highlighting Fluxus and Fluxus artists, held in 2023. We will diligently update this list troughout the year to ensure its accuracy. Should you happen to come across an exhibition that we have omitted, kindly reach out to us via email
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Can We Talk Post-Preservation? A Letter to Nam June Paik
This is an excerpt from an invited lecture delivered on November 15 at the National Museum of Modern and Contemporary Art in Seoul, South Korea, which addresses the positive value of obsolescence and posits post-preservation as an alternative to traditional conservation not only in Nam June Paik’s work but in artworks in general.
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About Fish, or Toward Radical Affinity in Paik’s Scores
In this essay, I discuss the material intricacies of Liberation Sonata for Fish cretaed by Nam June Paik in 1969 and distributed free of charge to the attendees at Charlotte Moorman’s 7th Annual New York Festival of Avant-Garde, Ward Island, New York. How to understand the work and appreciate decay as a positive value?


