Writings

  • Stefanie Manthey: ‘The common arts of Fluxus’

    Stefanie Manthey: ‘The common arts of Fluxus’

    Stefanie Manthey, one of our associated researchers in the Activating Fluxus network, has contributed an article to the first HKB newspaper of 2023. Stefanie’s article, ‘The common arts of Fluxus’, highlights the playful agency of Fluxus objects, performances, and events created in the 1960s-70s, and additionally considers the methodological potential of Fluxus play for contemporary…

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  • Loss as Creation’s Companion, with Eric Andersen

    Loss as Creation’s Companion, with Eric Andersen

    Our research team recently spoke with Intermedia artist, Eric Andersen, to reflect on the Fluxus network and some questions posed by Intermedia works of the recent historical past. Our conversation broadly touched on the notions of continuity and change, loss and preservation, and crucially, how Intermedia works might endure both through and as a form…

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  • Artivation #2 : Happy New/Old Year

    Artivation #2 : Happy New/Old Year

    On the New Year’s eve of 2022, Com&Com performed an “Artivation” of Ken Friedman’s work “In One Year and Out the Other” (1975). The work asks significant questions about time and space, and what do artificial, political and temporal zones mean in a world connected via digital media.

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  • Artivation #1: Zen for Internet, 2014

    Artivation #1: Zen for Internet, 2014

    Com&Com’s Zen for Internet (2014) references Nam June Paik’s canonical Zen for Film (1962-64). Using the iconography of the internet and computer, the work features an endlessly rotating “loading wheel” on a white background. Typically, the “loading wheel” would be a temporary, in-between state before seeing the fully loaded image. Zen for Internet, however, indefinitely freezes…

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  • Can We Talk Post-Preservation? A Letter to Nam June Paik

    Can We Talk Post-Preservation? A Letter to Nam June Paik

    This is an excerpt from an invited lecture delivered on November 15 at the National Museum of Modern and Contemporary Art in Seoul, South Korea, which addresses the positive value of obsolescence and posits post-preservation as an alternative to traditional conservation not only in Nam June Paik’s work but in artworks in general.

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